Gus + Creeley

Gus + Creeley


matlaporte:

The protection of sleep
The protection of sheep

Patron of stealthy action
The stealthy

Real and personal property

Paper money and tender acts

Fiction of administrative law
Fathers dare not name me

Chasm dogma scoops out

The invention of law
the codification of money

Democracy and property
Rules and guards and fences

In the court of black earth
to be infinite

- from Singularities by Susan Howe


jeandonnelly:

"Hard to get home; but this is, this travelling
of
is
home.”

Rachel Blau DuPlessis


allisoncobb:

Jean Donnelly broadside with dahlias

Donnelly’s GREEN OIL + Donnelly/Drescher broadside: LAST COPIES!! Get yours here: http://tumblr.us4.list-manage.com/track/click?u=29e07476f49380932dce530f1&id=7033c7684e&e=718916b3f0

allisoncobb:

Jean Donnelly broadside with dahlias

Donnelly’s GREEN OIL + Donnelly/Drescher broadside: LAST COPIES!! Get yours here: http://tumblr.us4.list-manage.com/track/click?u=29e07476f49380932dce530f1&id=7033c7684e&e=718916b3f0

(via furtherotherbookworks)


Ted Greenwald, CON DOT (Cuneiform, 2014). Completed the dummy for this book the other day and it looks fucking gorgeous. So thrilled to get to bind it.

Ted Greenwald, CON DOT (Cuneiform, 2014). Completed the dummy for this book the other day and it looks fucking gorgeous. So thrilled to get to bind it.


womenandanimalsnotebook:

from my artist’s statement for After-Cave 

womenandanimalsnotebook:

from my artist’s statement for After-Cave 


cedarmask:

Jess, The young Tell or Y is for mummy, 1966

cedarmask:

Jess, The young Tell or Y is for mummy, 1966


Bobbie Louise Hawkins, BIJOU (farfalla, 2005)

Bobbie Louise Hawkins, BIJOU (farfalla, 2005)



Shop pics: new guillotine as of yesterday! “H.D.” stands for heavy duty (which we’ve always known). Using a mag and aluminum cleaner called MOTHER’S to shine up the chrome on the Heidelberg, which works like a dream. Have the motor disconnected and mounted to boards for rewiring and testing at my neighbor’s house this week.


Found Kyger’s 2012 chapbook from Blue Press last night at Mountain Fold. Here’s her New Years poem, and mine from the 2012 chapbook Stephen Novotny published. (For friends, seemingly many, having a difficult year—wishing a quick end to it…)


Charles Olson, “The Kingfishers”

Charles Olson, “The Kingfishers”


Presale offer: Donnelly’s Green Oil + Donnelly/Drescher broadside for $25


Click here to purchase Jean Donnelly’s Green Oil and a broadside signed by Donnelly and Julia Drescher for $25.

We at Further Other Book Works were so excited to be publishing Jean Donnelly’s new book of poems, Green Oil, that we decided to produce a broadside to commemorate the launch. The broadside measures 5.25” x 10” and features an inkjet print of the cover art from the book, a collage by Julia Drescher entitled “Sermon I,” as well as a passage from the book hand written in graphite by Jean Donnelly. Donnelly chose a variety of quotes, so each broadside is a little different. Produced in a variable edition of 55 signed and numbered copies, this broadside was printed on handmade Twinrocker Rotunda.

Get yours now for the presale price of $25 for both the book and the broadside, plus $5 for domestic shipping or $20 for international shipping. Though the book doesn’t officially launch until November, presale purchases will ship immediately.

Your presale purchase will ensure that we don’t go out of pocket on production costs and can continue to publish important new work. Forthcoming books include a collaboration between Robert Glück & Kathleen Fraser, a book of poems and sketches by josé felipe alvergue, and a serialized typewriter book by Carter Smith. In 2015, with the help of the Poetry Collection in Buffalo, we’ll get even more ambitious and bring out The Collages of Helen Adam

BUY NOW

Green Oil
By Jean Donnelly

Further Other Book Works
November 2014
Trade Paperback, 5” x 7.5”
106 pages
$15.95
ISBN: 9780989313223

Green Oil is the long awaited new collection by Jean Donnelly. The poems begin in a procedure that sidesteps pronouncement as the poet’s role, in favor of a kind of listening that allows for accident to open onto new understandings of language and making meaning. Donnelly begins by performing “liberal homophonic readings and orthographical transcriptions of poems in French from the collection Pièces by the poet Francis Ponge.” However, Donnelly listens beyond the procedure itself and hears, “at the threshold of the material traces of Ponge’s poems, […] the cadence of something not [her] own.” If readers hear clarity in these poems, Donnelly’s preface directs them not to the wisdom of any author, but to exactly those spaces between languages to which this author bent her ear in the first place.

For review copies contact:

C.J. Martin & Julia Drescher

Further Other Book Works

further.other.book.works@gmail.com

Jean Donnelly is the author of the julia set, published by Edge Books, and Anthem, selected by Charles Bernstein for the National Poetry Series and published by Sun & Moon. She studied poetry at the creative writing program at George Mason University, where she co-founded So To Speak: A Feminist Journal of Language & Art, and co-curated the In Your Ear reading series at the District of Columbia Arts Center. Donnelly has taught poetry at Georgetown University, and now lives in Exeter, New Hampshire, with her children.